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Some music simply can't be played in the background. The first note catches you as the rest of the world melts away and you've got no choice but to stop what you were doing and listen. Jim Byrnes' new album, "Everywhere West" catches you that way. Listen closely and you can hear the wind blowing through the floorboards of long abandoned roadhouses. Wind that lifts up the dust ground down by the stomping feet of Saturday night dancers hurting, forgetting and testifying while Jimmy Reed hollered down the devil and ghosts of done me wrong romance. Open the door a little wider and some of that dust gets down your throat and all of that trapped passion and good time hurting becomes a part of you - just like the music of Jim Byrnes does. For more than thirty years, Jim Byrnes has woven roots so deeply into the Northern Blues scene that it's difficult to remember that this quintessentially Canadian icon was raised in St. Louis and that his instantly recognizable gruff as sandpaper, sweet as honey voice was not always an essential part of the country's musical landscape. "Everywhere West" marks the fourth collaboration between the multi Juno Award-winning Byrnes and musician and producer, Steve Dawson. Fans of their previous work can rest assured that the intricate acoustic melodies, dirty blues guitar, funky organ and passionate interplay that we've come to expect when the two men get together in the same room are here in spades. If anything, the conversation goes a little deeper this time around and the playing is more assured and trusting than it's ever been before. Listening back to some of the tracks from the album, it's obvious that Byrnes is thrilled with the results. "...with Steve, it's so much fun making a record. It's just a bunch of guys sitting together and playing the music we love - with the tapes rolling." As we've come to expect, the musicians who support Byrnes on this effort have been selected from the country's best with Dawson studio regulars Keith Lowe and Geoff Hicks laying down a rock solid rhythm section while Jeanne Tolmie offers her usual heavenly back up vocals. Special guest Keith Bennett turns in some tasty harmonica parts while Canadian fiddle and horn legend, Daniel Lapp, blesses listeners with some absolutely inspired performances throughout the album. Whether Byrnes is singing a Mississippi Sheiks chestnut like "Bootlegger's Blues" or wailing his way through a stripped down banjo driven version of Bobby Bland's "Yield Not To Temptation", he effortlessly inhabits every syllable and corner of this music. Testifying with a poise and authority that few can muster, he adds weight and depth to a Dave Van Ronk inspired take of "He Was a Friend of Mine". Three Byrnes originals round out the album - "Hot As A Pistol" - a passionate straight up blues rave, "Storm Warning" - a first take recording, and finally, "Me and Piney Brown" - a lovely 'autobiographical dream tune' that evokes an imaginary journey to Kansas City in 1938. As Jim writes in his liner notes, "Everywhere West" is dedicated to 'those who came before', but this music doesn't belong in a museum. As Byrnes notes, "Deep down, blues is an acceptance of life. You stand in front of life and life says, 'that's the way it is baby'. To play the blues, you take all the bullshit that's been piling up and you channel it through your guitar and voice. You let the pain go and turn it into a good feeling. That's the blues - pure and simple." Pure and simple doesn't get any better than this. When you hear Jim Byrnes pour his whole soul into singing a line as simple as 'One sunny day, I'll be home to stay', you'll instantly know that this is the kind of music you're going to want to listen to forever - and that nearly fifty years after first wondering 'how blue can you get?', Jim Byrnes has found his voice and is just hitting his stride.
This week on Written in Uncertainty, we discuss one of the most important people in Cyrodiil’s history, who laid the foundations for mannish domination of Tamriel, although not a man herself. This week we’re asking, who is Alessia?
Today Written in Uncertainty looks at one of those things where sufficiently advanced magic becomes indistinguishable from technology, where a god was made and then made a tool of conquest, and breaks the world whenever it’s switched on. Today we’re asking, what is the Numidium?
Written in Uncertainty lookg at the oldest order of organised mages on Tamriel, who are often claimed to be the greatest spellcasters on Nirn, even though they might not even use magicka for what they do. Today we’re asking, what is the Psijic Order?
Written in Uncertainty discusses a people that have been vilified by virtually everyone they meet, for their part are incredibly distrustful of outsiders, have never built permanent settlements of their own, and yet at one point rose to rule Tamriel. Today we’re asking, who are the Reachmen?
Today we’re looking into what is supposedly the oldest culture on Tamriel, which stretches back to the Merethic Era, and indeed celebrates that Era as one of the highest ideals in creation. Today we’re asking, what is Altmeri religion all about?
Written in Uncertainty looks at one of the most consistent, and possibly most evil, characters in Tamriel. Someone who has been around for millennia, and learned the lessons that a dragon break could teach. Today we’re asking, who is Mannimarco?
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Today we’re casting off from Tamriel and going adrift in strange seas. Or maybe just stepping sideways into another world altogether? Or maybe just going for a jaunt in the night sky? This episode we’re asking, what is Oblivion?
This episode of Written in Uncertainty looks at a culture that is at once one of the most and least defined on Tamriel, a play on an old fantasy stereotype that has taken on a life of its own in the Elder Scrolls, and tells a multitude of reality-altering stories. This week we’re asking, what are the Bosmer?